This posting is a follow-up to the previous posting, “My Alter Ego?”. Maybe that alter ego—the irresponsible, but harmless vagabond—is a piece of me in an unrealistic dream world, but not in the real world. I was out of work for six months and was not myself. It gives me empathy for anyone in this depressed economy that is looking for work, especially those looking for a career.
There is a side to many of us, I suspect, that stares dreamily into the distance of time and reality at the thought of being irresponsible and self-indulgent and carefree. The vagabond, Mr. Browne, played by Buddy Ebson in one of the old Andy Griffith episodes, tells Andy: “I live the kind of life that most men only dream about because they don’t have the courage to live it.” Well, when you have a wife and especially a wife and kids, all bets are off, Mr. Browne.
The neurobiologist, Robert M. Sapolski, author of Monkeyluv—And Other Essays on Our Lives as Animals (2005) says that behavioral studies of other primates have shown that it is not just the physical studs that attract female monkeys or baboons for mating; or the ones who intimidate other weaker potential male suitors to flee out of the picture (think Biff vs. Michael J. Foxe’s nerd dad in Back to the Future). But often, the males who “get the girl” are the ones who demonstrate relationally that they are the kind of guy who is in it for the long haul. Biologically, that means that a female somehow senses which potential mates will likely be around to help her do the heavy lifting of raising this child, and who will partner with her through the travails of life. Sapolski essentially says that, even amongst monkeys, responsible can be sexy.
As a pastor, I used to counsel young couples who were preparing to be married. One story that I often used was one that I heard on the radio many years before. It goes something like this: the radio show guest said that he was pastor of a church and one of the elderly women in his congregation was incapacitated, living in a nursing home. Periodically the minister would call on her as part of his pastoral duties. One day he walked down the nursing home hallway to her room and found the door slightly ajar. He peaked in, not wanting to enter at an inopportune moment. What he saw was the ultimate love story.
He saw an elderly gentleman leaning over his wife’s bed with a spoon hovering before her blank face. He coaxed, “Please dear, one more bite … you need to take one more bite.” Her unresponsive eyes told him that she didn’t comprehend, or maybe that she had given up on life altogether. He was undeterred. “The doctor says that you need to eat, dear. Please… you can do it … I know you can do it … open up one more time.” She opens her mouth briefly and he shoves the spoon home. Some of the food drips unattractively down her chin and on to her gown. He patiently grabs a cloth and dabs her clean, all the while praising her effort. Then he begins anew: “That was wonderful! … Okay, one more bite … you can take one more bite, just for me …”
She probably didn’t even know who he was--didn’t remember they had been married for sixty years or more. Maybe she had Alzheimer’s disease. I don’t know. But what a love scene! I used to tell the young husbands-to-be the same as I told my two sons-in-law when they asked for my daughters’ hands in marriage: this is the kind of guy that girls ultimately want. This is the kind of guy that I want for my daughter—one who will love her when she is gray and wrinkled and no longer sexy. Who will love her for the long haul, even into the nursing home. (By the way, at the end of the program I finally heard the name of the radio guest and pastor: then Arkansas governor, Mike Huckabee.) My favorite love songs are the rare ones about old people still in love, like Michael Smith’s The Dutchman (from Steve Goodman) and Eva Cassidy singing Anniversary Song.
So what is it like when a young man transitions from carefree, unattached player to provider and care-giver and sacrificial partner for life? Here is an interesting poem that I heard on the Garrison Keiller’s Writers’ Almanac on National Public Radio (9:00 am weekdays on 91.3 FM in my part of the world). It is a poem by Thomas C. Hunley called, “Father to a Man”. You can see the transition happening before your very eyes in this young husband’s life, much like it happened to me when my Junius Maltby went into hibernation. But, as it turns out, I’m a much happier man for it. Follow the action:
Father to the Man
The OBGYN said babies almost never
arrive right on their due dates, so
the night before my firstborn was due
to make his debut, I went out with the guys
until a guilt-twinge convinced me to convince them
to leave the sports bar and watch game six
on my 20-inch, rabbit eared, crap TV. After we
arrived, my wife whispered, "My water broke"
as the guys cheered and spilled potato chips
for our little dog to eat up. I can't remember
who was playing whom, but someone got called
for a technical, as the crowd made a noise
that could have been a quick wind, high-fiving
leaf after leaf after leaf. I grabbed our suitcase
and told the guys they could stay put, but we
were heading for the hospital and the rest of
our lives. No, we're out of here, they said.
Part of me wanted to head out with them,
back to the smell of hot wings and microbrews,
then maybe to a night club full of heavy bass
and perfume, or just into a beater Ford with a full
ash tray, speeding farther and farther into
the night, into nowhere in particular. Instead I walked
my wife to our minivan, held her hand as she
stepped down from the curb, opened her door,
shut the suitcases into the trunk, and
ran right over that part of me, left it
bleeding and limping like a poor, stupid squirrel.
"Father to the Man" by Tom C. Hunley, from Octopus. © Logan House, 2008.
Saturday, March 6, 2010
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Bob:
ReplyDeleteGreat to see your post that invokes Michael Smith's "The Dutchman" as recorded and often performed by Steve Goodman. Goodman often doesn't get his due. You might be interested in my 800-page biography, "Steve Goodman: Facing the Music." The book delves deeply into the genesis and effects of "The Dutchman," and Michael Smith is a key source among my 1,050 interviewees.
You can find out more at my Internet site (below). Amazingly, the book's first printing sold out in just eight months, all 5,000 copies, and a second printing of 5,000 is available now. The second printing includes hundreds of little updates and additions, including 30 more photos for a total of 575. It won a 2008 IPPY (Independent Publishers Association) silver medal for biography.
If you're not already familiar with the book, I hope you find it of interest. 'Nuff said.
Clay Eals
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