A Thousand Clowns and Junius Maltby are practically the same story except the former is an urban version taking place in New York City; the latter a rural version in Central California. The Steinbeck story used to be a sort of appendage to Bantam copies of The Red Pony, but is not in any of the ones at our Barnes & Noble. It was originally a chapter of Pastures of Heaven published in 1932. I found it on-line at one time, but not today. Here is a site where you can listen to an audio recording (podcast) of someone reading you Junius Maltby. It will take you 49 minutes, sure. About the length of one episode of “Survivor” or “Biggest Loser”. Do you get my drift? Check it out: http://audiolingo.org/?p=112
Harvey is available from Netflix and other outlets. It was a 1950 film starring Jimmy Stewart, from a Mary Chase play (that my mom saw performed, I think, on Broadway, back in the day). Elwood P. Dowd is as kooky as he can be—his best friend is a six foot three-inch invisible rabbit. But at the same time, he exemplifies all the characteristics of humility, empathy, politeness, consideration, justice, love, and humor that every Christian should live out habitually. It won an Oscar and was nominated for another.
I don’t know what this all means--that I somehow identify with these goofy characters. Those of you who know me can draw your own conclusions, especially if you've been able to see any of these movies/plays/books . Do you have fictional characters that you identify with? Who? Why? You can comment at the bottom of this blog just for kicks …
Here’s a Wikipedia synopsis of Steinbeck’s short story:
Junius Maltby
The short story concerns a man named Junius Maltby, who, unsatisfied with his life as an accountant in San Francisco, finally breaks with that life on the advice of his doctor, who recommends drier weather for his respiratory illness. Junius, in fairer climate, takes boarding with a widow and her children in his convalescence. After some time, with the townsfolk beginning to talk about the single man living so long with the widow, Junius promptly marries his landlord and becomes the head of the well-kept, profitable ranch/farm. The widow releases her working man and tries to put Junius to work on the farmstead, but Junius, having become accustomed to a life of leisure, ignores his duties. Eventually the farm falls into disrepair, the family goes broke and without enough food or clothes, and the widow and her own children succumb to disease.
Only Junius and his lone son by the widow survive. Junius, with his barefoot child and a hired servant as lazy as he, spends his time reading books and having fanciful discussions with his companions, never actually working. Because of this, his son is raised in rags, though well trained to independent thought and flights of the imagination. Despite his appearance and the intentions of the other children to torment him, the child is well-received at school and indeed becomes a leader of the children. So influenced by him are they, the other children begin to spurn their shoes and tear holes in their clothes.
Except for the teacher, who finds the man and his son to be romantically dignified, the rest of the community has nothing but scorn for Junius and sympathy for his child. The story ends with members of the school board attempting to give the child some shoes and new clothes as a present. Upon realizing the regard in which he is held by society, he loses the last of his innocence and becomes ashamed, realizing for the first time that he is poor. The last scene has the sympathetic teacher see Junius and his son, cleaned and well dressed though painfully so, on their way back to San Francisco where Junius will go back to dull work and ill-health in order to provide for his unwilling son.
Now, lest you get an incomplete picture of me, tune-in to the next installment: http://mandobobsblog.blogspot.com/2010/03/another-side-of-me.html
